- Type
- Symposium
- Date
- Tuesday June 2, 2026
- Time
- 14:00 - 15:30
- Room
- SM O1.01 (Lecture Hall)
Session Information
This page shows the session details and the presentations assigned to this session.
In Respect of Writing: Ethical and Legal Challenges Across Writing Supports
Abstract
Ethical and legal questions related to writing have gained renewed importance in contemporary context. As writing supports diversify, from traditional handwriting to the latest digital environments, the conditions under which texts are produced, shared and interpreted are also profoundly transformed. The symposium In Respect of Writing: Ethical and Legal Challenges Across Writing Supports invites reflection on how each writing supports engages specific forms of responsibility, protection and respect toward writers and their texts. This symposium brings these issues into perspective by bringing four proposals from three different countries: France Belgium and Finland, each with own legal framework, thus opening up a space for comparative and international analysis of the ethical and legal challenges that currently shape writing practices. The presentation address respectively, the relationship between authors and artificial intelligence through the analysis of writing processes (Author and artificial intelligence: The challenges of process analysis for ai-assisted writing support), the identification of privacy-sensitive content in born-digital archival materials in Flanders (How many needles are there in the haystack? Identifying privacy-sensitive content in born-digital archival materials in Flanders), issues of digital forensics and research permissions in the study of born-digital manuscripts (Digital forensics and research permissions in the study of born-digital manuscripts), and the ethical and legal questions raised by the study of writing processes in analogue manuscripts in Finland (Ethical and legal questions and the study of the writing processes of analogue manuscripts in Finland).ReferencesBekius, L. 2023. ‘Behind the computer screens’: the use of keystroke logging for genetic criticism applied to born-digital works of literature. University of Amsterdam and University of Antwerp. Thesis,330 p.https://repository.uantwerpen.be/docstore/d:irua:19149Buschenhenke, Floor, Rianne Conijn and Luuk Van Waes. "Measuring non-linearity of multi-session writing processes". Reading and Writing. 2023. https://doi.org/10.1007/s11145-023-10449-9Karhu, Hanna (Accepted/In press): Use of Folklore in a Writing Process of Poetry: Rewritings of Folk Songs and References to Oral Poetry in Otto Manninen’s Early Manuscripts. In Genetic Criticism in Motion: New Perspectives on Manuscript Studies. Edited by Sakari Katajamäki and Veijo Pulkkinen. Associate Editor, Tommi Dunderlin. Studia Fennica Litteraria. Finnish Literature Society, Helsinki, 155-174.Pulkkinen, V. (2020). The Diary, the Typewriter and Representative Reality in the Genesis of Juha Mannerkorpi's Päivänsinet. European Journal of Life Writing, 1-21. https://doi.org/10.21827/ejlw.9.35712
Authors and AI: the challenges of process analysis for AI-assisted writing support
Abstract
In a context where the figure of the writer seems to be increasingly challenged by the expansion of artificial intelligence, the Cré@lame projet aimes to draw on the study of writers’ draft (Proust, Fournier, Rivière, Giono, etc.) and contemporary writing pratices. To this end, it aims to collect data and will enable language models to be supplemented with real writing models based on the creative processes themselves. The aim is to model these processes in order to increase the creative potential of generative artificial intelligence (Quaranta, 2025). This paper will analyse the various problems raised by such research, based on the reactions and authors’ responses to the proposal to participate. The first is consent of authors or their rights holders to the recorded processes, an issue already addressed by Buschenhenke (2025). However, the use of processes by LLMs raises this question in a new and more urgent way. In a context where LLMs are rightly accused of plundering texts in disregard of copyright law, this paper will examine the ethical issues confronting researchers and professionals, particularly those related to the RGPD and moral rights, which are particularly important in French copyright law. Based on a qualitative approach drawing on feedback and concrete cases, it will propose ways of developing writing systems that integrate artificial intelligence in a respectful and transparent way that meets authors’ expectations. RéférencesBuschenhenke, F. (2025). Entering stories. Decoding born-digital fiction writing through keystroke logging. [Thèse de Doctorat Amsterdam School for Cultural Analysis (ASCA)] Quaranta, J-M. 2025, « Intelligence artificielle et création littéraire : expériences et perspectives », Interfaces numériques, 14, https://doi.org/10.25965/interfaces-numeriques.5440.
Ethics and Access: Investigating Writing Processes from Manuscripts in Finland
Abstract
Although not always immediately visible in research, ethical and legal challenges have long shaped genetic criticism in relation to the use of archival materials. In Finland, different memory organizations have followed varying practices regarding what must be considered when providing source materials for genetic research. Ethical issues are intrinsic to archival research (McKee & Porter 2012), as scholars may sometimes need to work with materials in ways that do not fully align with an author’s expressed wishes or that reveal aspects of the writing process not originally intended for public view, even though research needs do not always align clearly with the author’s or donor’s intentions.Born-digital materials, such as authors’ floppy disks and hard drives, have brought these questions into focus in new ways. In particular, the use of digital forensic methods and tools that allow the recovery of deleted files and file fragments raises issues of privacy, consent, and legality, which can complicate research. Archives thus play a crucial gatekeeping role, balancing donor privacy with scholarly accessibility. This makes it essential that archiving practices are grounded in a nuanced understanding of the specific nature of born-digital materials. At the same time, it is not always obvious how research needs relate to the wishes and intentions of donors or creators, or how these relationships should be interpreted in different research contexts. (Carroll et al., 2011, 67–68; Kirschenbaum, Ovenden and Redwine 2010, 46–47, 51, 56.)In our presentation, we examine ethical and legal issues related to the study of both archival and born-digital writing processes in the Finnish context. We ask to what extent ethical considerations have been systematically addressed by researchers and memory organizations in relation to archival materials, and how gaps or inconsistencies in these practices may partly shape the challenges now encountered in research on born-digital materials.Carroll, Laura, Erika Farr, Peter Hornsby and Ben Ranker. 2011. A comprehensive approach to born-digital archives. Archivaria 72: 61–92. https://archivaria.ca/index.php/archivaria/article/view/13360Kirschenbaum, Matthew, Richard Ovenden and Gabriela Redwine. 2010. Digital Forensics and Born-Digital Content in Cultural Heritage Collections. Council on Library and Information Resources (CLIR) Reports 149. https://www.clir.org/pubs/reports/pub149
How many needles are in the haystack? Privacy-sensitive content in born-digital archives in Flanders
Abstract
Computers have been a widespread writing technology since the popularisation of the word processor in the early 1980s, and digital materiality is now entering (literary) archival institutions, through donations or pre-custodial cloud-based preservation. This is also reflected in the collection of the Letterenhuis in Antwerp, Belgium, which preserves the literary heritage of Flanders. Its born-digital collection has grown to include 1643 3" and 3.5" disks, 369 5.25" disks, 1600 CDs and DVDs, 4 Iomega disks, 22 hard disks, and 30 digital, cloudbased transfers, including websites and socials. In addition, the poet Maud Vanhauwaert logged the writing process of a poem with a keystroke logger for one of the Letterenhuis’ exhibitions.These born-digital collections, including the keystroke logging data, offer many opportunities for analysing writing processes – such as within the field of genetic criticism – but also pose challenges as the contents conflate the professional and personal sphere, such as password information or private communication within the keystroke data, or private files saved among different versions of a text. This means that private and sensitive information has to be identified to prevent unethical violations of privacy (Jaillant 2022). While this is also true for paper archives, the nature of the digital content makes it harder to identify and makes the risk of (ab)use of data outside of a research context less manageable. In this presentation, we will reflect on managing privacy concerns in born-digital archives, considering both archival and research perspectives. This includes the efforts done by the Letterenhuis to make the born-digital collection available for researchers while ensuring the privacy of the creator, the researchers’ experience of working with the born-digital material and keystroke logging data, and how the collaboration between archivists and researchers – and to some extend the creator – can enhance archival workflows for acquiring, describing and unlocking born-digital archives for research.ReferencesJaillant, L. “How can we make born-digital and digitised archives more accessible? Identifying obstacles and solutions.” Arch Sci 22 (2022): 417-36.